General Information on Research Supervision
Research supervision is offered by the Institute's academic staff, in collaboration with specialists at another institution where appropriate.
The Institute's research strength lies in its combination of the study of several language fields: French, German, Italian, Spanish and Portuguese. Its academic staff specialise in literature, cultural studies, history of ideas and comparatives studies: the city (especially Berlin, Trieste), borders, the body, psychoanalysis, gender and sexuality, feminism, women's writing, Jewish writing, exile writing, children's literature, etc. Because of its function as a centre for academic events in European culture, the Institute has national and international contacts with researchers in its fields. The Insitute is thus particularly well placed to offer supervision for projects that cross national and disciplinary boundaries.
Projects recently undertaken by research students at the Institute include:
- Reading Clarice Lispector through the work of Toni Morrison and Bessie Head (with the Department of English, Birkbeck and the Department of Portuguese and Brazilian Studies, KCL)
- The cultural re-cycling of Spanish historical women: Juana la Loca and Mariana Pineda
- Memory and the city in the Chilean transition to democracy
- The role of the mid-eighteenth-century German court in the development of the 'ballet d'action'
- The polarization of surface and depth in Heinrich Heine's Buch der Lieder
- Martin Heidegger as a reader of Rilke
- Hölderlin's and Celan's Schizopoetics
- The relationship between Richard Gerstl and Arnold Schönberg
- The generation of '68 and the politics of remembrance
Enquiries about research supervision should be addressed to the Director, Professor Bill Marshall, sending a cv and a research proposal (email@example.com).
Dr Jordana Blejmar
Dr Blejmar is a Lecturer in Hispanic Studies at the IGRS. She has taught Latin American cultural studies at the University of Manchester and the University of Cambridge. Her doctoral research at Cambridge was funded by the Bill and Melinda Gates Foundation and explored the links between the imagination and the documentary in the second-generation cultural memory of post-dictatorship Argentina. She is co-editor (with Natalia Fortuny and Luis Ignacio García) of Instantáneas de la memoria: Fotografía y dictadura en Argentina y América latina (Libraria, 2012). She would be happy to supervise students working on the following subjects: Twentieth Century Latin American and Spanish Literature, Visual Arts, Photography and Documentary Film; Political Philosophy on Violence in Latin America; History of Human Rights Organisations and Popular Movements in Latin America; Cultural Representations of Latin American Guerrillas and of the Spanish Civil War; Memory, Postmemory, Testimony, Trauma, Sites of Memory, Museums, Archives; Narratives of the Self, Autofictions, Autobiographical Performance.
Professor William Marshall
Professor Marshall’s research interests lie on the interface of culture and politics in the French-speaking world since 1900, using theory to explore that relationship. He has written on Franco-Russian revolutionary literature (Victor Serge The Uses of Dissent, 1992), gay politics and theory (Guy Hocquenghem, 1996), and has tried to reconceptualise French Studies via the category of the Atlantic (The French Atlantic: Travels in Culture and History, 2009). He is also available to supervise research on Quebec, all aspects of French or Francophone cinema (Quebec National Cinema, 2001; André Téchiné, 2007), popular culture, post-colonialism, and contemporary French theory, particularly the thought of Gilles Deleuze. Topics of theses previously supervised include: Hollywood remakes of French films; space in contemporary Quebec literature; Deleuze and photography; the category of ‘Africa’ in North and sub-Saharan African literature; and interrogations of Frenchness in trans-Mediterranean writing. He is currently supervising theses on the French horror movie, and on the Linguistics of francophone rap.
Dr Katia Pizzi
Dr Pizzi specializes in modern Italian studies, with particular interest in the literature of the inter-war years. Her books A City in Search of An Author: The Cultural Identity of Trieste (2001) and Trieste: triestinita`, italianita` e male di frontiera (2007) explore cultural identity and memory in Trieste and the north-eastern borders in Italy. Her research further encompasses the European and Futurist avant-garde, especially the relation with machine culture and technology, as well as children’s literature, illustration and comics in the nineteenth, twentieth and twenty-first centuries. Publications in this domain range from Pinocchio Puppets and Modernity: The Mechanical Body (2011) to numerous articles and chapters on children’s literature and nationalism, the Unification, Antonio Rubino’s illustrations and European comics. Dr Pizzi has supervised doctoral theses on as broad a range of subjects as modern and contemporary Italian writers, the concentration camp Risiera di San Sabba, Pinocchio, fable and myth.
Dr Anne Simon
Dr Simon specializes in German Studies in the Mediaeval and Early Modern periods, with particular reference to the impact of these periods on subsequent eras. Her book The Cult of Saint Katherine of Alexandria in Nuremberg: Saint and a City draws on a wide variety of textual and visual sources to explore interrelated themes: the shaping of urban space through the cult of Saint Katherine; her role in the moulding and advertising patrician identity and alliances through cultural patronage; and patrician use of the saint to showcase the city's political, economic, cultural and religious importance at the heart of the Holy Roman Empire. Her research and publications also encompasses travel literature from all periods; Early Modern women’s letters; the history of the book; didactic literature for women; and the relationship between text and image. Dr Simon has supervised work on a wide range of topics from the Middle Ages to the present, including artistic and cultural patronage; the Reformation; Hans Sachs; travel literature; publishing history; marginal groups; the National Socialist use of the Middle Ages; and Nuremberg’s contemporary self-marketing.
Dr Godela Weiss-Sussex
Dr Weiss-Sussex's main research interests lie in the German culture and literature of the 19th and 20th centuries, particularly in the representation of the city in literature, women's writing and modernism. Her current research project investigates concepts of Jewishness and femininity in the work of German-Jewish women writers in early 20th century Berlin. It builds on the conference volume 'Not an Essence but a Positioning': German-Jewish Women Writers (1900-1938) (co-edited with Andrea Hammel, 2009). Her other publications include the monograph Metropolitan Chronicles. Georg Hermann’s Berlin Novels, 1897 to 1912 (2001) and the edited volumes Berlin. Kultur und Metropole in den Zwanziger und seit den Neunziger Jahren (2007, with Ulrike Zitzlsperger) and The Cultural Identities of European Cities (2011, with Katia Pizzi). Dr Weiss-Sussex is currently supervising research students in the areas of the culture of the Weimar Republic and post-1945 literature.